ORDER RE:
1.) PLAINTIFF’S MOTION TO REMAND;
2.) DEFENDANTS’ MOTION TO DISMISS PLAINTIFF’S THIRD, FOURTH, FIFTH, AND SIXTH CAUSES OF ACTION
Plaintiff’s motion to remand for lack of subject matter jurisdiction and Defendants’ motion to dismiss Plaintiff’s Third, Fourth, Fifth, and Sixth Causes of Action came on regularly for hearing before this Court on January 22,1996. After reviewing the materials submitted by the parties, argument of counsel, and the case file, it is hereby ORDERED that Plaintiff’s motion is GRANTED in part. Plaintiff’s First, Second, Third, and Fourth Causes of Action are hereby REMANDED to state court. Defendants’ motion to dismiss is also GRANTED in part. Plaintiffs Fifth and Sixth Causes of Action are hereby DISMISSED without prejudice.
I. Procedural Background
The Plaintiff in this case, FRANK DIEL-SI, was a speech coach for Defendant PETER FALK on the television series “Colum-bo.” As more fully described below, Plaintiff asserts that he wrote a potential script for “Columbo,” entitled “Never Trust a Gambler.” Plaintiff then submitted the script to Defendant CHRIS SEITER, then the show’s producer. The script was never specifically accepted or rejected. However, as further discussed below, Plaintiff alleges that Defendants later used his script as the basis for an episode of “Columbo” entitled “Strange Bedfellows.” On October 20, 1995, Plaintiff filed a Complaint against Defendants Falk, Seiter, VINCE McEVEETY, MCA UNIVERSAL CITY STUDIOS (“Universal”), ABC TELEVISION (KABC) (“ABC”), and DOES 1 through 100, inclusive, for breach of contract, breach of confidence, fraud, negligent misrepresentation, conversion, and negligence. Plaintiff prays for compensatory damages in the amount of $1.25 million, exemplary damages, costs, and attorneys’ fees.
Defendant Universal received a copy of Plaintiffs Complaint on October 24, 1995. Defendant Chris Seiter was served with a copy of the Complaint on November 19,1995. On November 24, 1995, Defendants Universal and Seiter attempted to file a Notice of Removal. The clerk initially accepted Universal’s removal notice, assigning the case the file number 95-8051. However, upon further review, the clerk ultimately rejected Universal’s filing, because the face of the removal notice differed from the face of Plaintiffs Complaint. In drafting its Notice of Removal, Defendants failed to list “MCA Universal City Studios” as a Defendant in the action (even though Universal drafted the removal notice and was listed at the top of the document).
On November 27, 1995, Defendants Universal and Seiter filed an amended Notice of Removal, listing “MCA Universal City Stu*988dios” as a Defendant in the action. On November 28, 1995, Defendant ABC was first served with a copy of Plaintiffs Complaint. Apparently, Defendants Peter Falk and Vince McEveety have never been served with Plaintiffs Complaint. On December 20, 1995, Defendant ABC joined in Defendants Universal’s and Setter’s Notice of Removal. On December 20, 1995, Defendants filed a motion to dismiss Plaintiffs Third, Fourth, Fifth, and Sixth Causes of Action. On January 8, 1996, Plaintiff filed an Opposition. On January 16, 1996, Defendants filed a Reply. In addition, on December 27, 1995, Plaintiff filed a motion to remand for lack of subject matter jurisdiction. On January 8,1996, Defendants filed an Opposition. Plaintiff did not file a Reply.
II.Plaintiffs Allegations
In his Complaint, Plaintiff alleges as follows:
1.) Plaintiff was employed as a speech coach for Defendant Peter Falk on the television series “Columbo.” (Compl. ¶ 1)
2.) Before April 1994, Plaintiff was told by Defendant Chris Setter, the producer for “Columbo,” that new scripts were needed for the show. (Compl. ¶ 10).
3.) In April 1994, Plaintiff completed a television script specifically for “Columbo,” entitled “Never Trust A Gambler.” Plaintiff submitted this script to Setter. (Compl. ¶ 11).
4.) In May 1994, Setter told Plaintiff that he wanted to speak with Plaintiff about his script. (Compl. ¶ 12).
5.) In June 1994, Setter told Plaintiff that he “loved” the script, but that he wanted certain changes. (Compl. ¶ 14).
6.) Plaintiff heard nothing from Setter until September 1994, when he was hired to work as Falk’s speech coach for the “Colum-bo” episode called “Strange Bedfellows.” (Compl. ¶ 15).
7.) After “Strange Bedfellows” was completed, Plaintiff realized that the episode was in fact based on Plaintiffs script “Never Trust A Gambler.” (Compl. ¶ 16).
8.) “Strange Bedfellows” was copied from Plaintiffs script. Defendants did not have their idea for “Strange Bedfellows” until Plaintiff had submitted his script to Setter. (Compl. ¶ 17).
9.) After the release of “Strange Bedfellows,” Plaintiff demanded that Defendants compensate him for his work and give him proper credit. (Compl. ¶ 18).
10.) Defendants refused to compensate Plaintiff or give him any credit for his work. (Compl. ¶ 19).
11.) Plaintiff, at the request of Setter, submitted his script to Defendants with the full expectation that he would be compensated for its use if Defendants decided to use it. Also, Defendants clearly understood that Plaintiff would be given credit for his work if they used his script. Accordingly, an implied contract existed between Plaintiff and Defendants, which Defendants breached. (Compl. ¶ 22).
12.) Defendants accepted the submission of Plaintiffs script in complete confidence, and on the understanding that the idea would not be used without Plaintiffs consent. Defendants breached that confidence. (Compl. ¶ 25).
13.) Defendants made many misrepresentations of fact to Plaintiff. Defendants represented to Plaintiff that they would compensate him for his work, when, in fact, they had no intention of compensating Plaintiff for his script. Defendants represented to Plaintiff that they would not use his script, when, in fact, they did use his script for “Strange Bedfellows.” Defendants wilfully concealed from Plaintiff that they were developing and producing a “Columbo” episode based on “Never Trust A Gambler.” (Compl. ¶ 29).
14.) At the time the misrepresentations were made, Plaintiff was ignorant of the falsity of the representations, believed they were true, and acted in reasonable reliance on them. (Compl. ¶ 30).
15.) Defendants have been guilty of oppression, fraud and malice, and have acted in conscious disregard for Plaintiffs rights. (Compl. ¶ 32).
16.) Defendants have unlawfully and wrongfully converted for their own use the “Never Trust A Gambler” script in producing *989and distributing the “Columbo” “Strange Bedfellows.” (Compl. ¶ 37). episode
17.) The appropriation was without Plaintiffs consent and for Defendant’s pecuniary gain and profit. (Compl. ¶¶ 38-39).
18.) Defendants breached their duty of care to Plaintiff by failing to acknowledge that “Strange Bedfellows” is based upon “Never Trust A Gambler,” and by failing to account for the monies due to Plaintiff from “Strange Bedfellows.” This breach has damaged Plaintiffs reputation and hurt his ability to continue developing his career in the entertainment industry. (Compl. ¶ 43).
19.) Plaintiff seeks compensatory damages from all Defendants. In addition, Plaintiff seeks exemplary damages, costs, and attorneys’ fees from Defendant Chris Seiter. (Prayer for Relief).
III. Discussion
As stated above, Plaintiff has filed a motion to remand for lack of subject matter jurisdiction, and Defendants have filed a motion to dismiss Plaintiffs Third, Fourth, Fifth, and Sixth Causes of Action. Both motions address the issue of whether Plaintiffs state law claims are preempted by federal copyright law. Because both motions involve interlinking issues of federal jurisdiction, the Court will address both motions together.
A. Timely Removal
Because Defendants did not successfully file their Notice of Removal until November 27, 1995 (more than 30 days after Defendant Universal received a copy of the Complaint), Plaintiff first asserts that removal was not timely.1
Under 28 U.S.C. § 1446(b), a notice of removal must be filed “within 30 days after receipt by defendant, through service or otherwise, of a copy of the initial pleading ...” Defendants argue that the 30 day period begins when a Defendant is properly served, with a copy of the Complaint. However, a majority of courts hold that the 30 day period begins when a Defendant receives a copy of the Complaint. See, e.g., Tech-Hills Assoc. v. Phoenix Home Life Mut. Ins. Co., 5 F.3d 963, 968 (6th Cir.1993) (“We hold that the removal period is commenced when the defendant has in fact received a copy of the initial pleading that sets forth the removable claim.”); Lofstrom v. Dennis, 829 F.Supp. 1194, 1196 (N.D.Cal.1993) (the “better reasoned position” is that the 30 day period begins on receipt); Uhles v. F.W. Woolworth Co., 715 F.Supp. 297, 298 (C.D.Cal.1989) (following the receipt rule). The Court concludes that the “receipt rule” is the better reasoned position, for it more closely follows the wording of the statute. Section 1446(b) states that removal must be performed “within thirty days after the receipt by the defendant, through service or otherwise, of a copy of the initial pleading!.]” (emphasis added). Thus, under § 1446(b), the “receipt” need not be by official “service.”
Thus, because Universal received a copy of Plaintiff’s Complaint on October 24, 1995, its Notice of Removal was due on November 24, 1995. On November 24, 1995, Defendant attempted to file its Notice of Removal. The clerk initially accepted the removal notice, and assigned a case'number. However, upon further review, the clerk ultimately rejected Universal’s filing, because the face of the removal notice differed from the face of Plaintiff’s Complaint. In drafting its Notice of Removal, Defendants failed to list “MCA Universal City Studios” as a Defendant in the action (even though Universal drafted the removal notice and was listed at the top of the document). According to the clerk, Defendants’ Notice of Removal violated Local Rule 3.4.9(d), which states that “[t]he names of the parties shall be placed below the title of the Court and the left of center, and single spaced_ In all documents, after the ini*990tial pleadings, the names of the first-named party only on each side shall appear[.]”2
On November 27, 1995, Defendants Universal and Setter filed an amended Notice of Removal, listing “MCA Universal City Studios” as a Defendant in the action. Plaintiff contends that this amended Notice of Removal was untimely, and that this Court should remand pursuant to 28 U.S.C. § 1446(b). However, Defendants’ amended removal notice was untimely only because the clerk refused to file the original notice, which was tendered on November 24, 1995.
Under Federal Rule of Civil Procedure 5(e), “[t]he clerk shall not refuse to accept for filing any paper presented for that purpose solely because it is not presented in proper form as required by these rules or any local rules or practices.” In this case, the clerk refused to file Defendants’ Notice of Removal because of a merely technical violation of Local Rule 3.4.9(d). This Local Rule governs the format of the title page of a document, so therefore it falls within the ambit of Federal Rule 5(e). On its face, Rule 5(e) “mandates that the clerk accept pleadings for filing even when the pleading technically does not conform with form requirements of the Federal Rules of Civil Procedure or local rules.” McClellon v. Lone Star Gas Company, 66 F.3d 98, 101 (5th Cir.1995); see also Turner v. City of Newport, 887 F.Supp. 149, 150 (E.D.Ky.1995) (“a document is deemed filed when it is in the actual or constructive possession of the Clerk”). The rule is evidently meant to divest the power of clerks to deny filings for reasons of purely technical form. As stated by the Advisory Committee on the Rules, “[t]his is not a suitable role for the office of the clerk, and the practice exposes litigants to the hazards of time bars_ The enforcement of these rules and of the local rules is a role for a judicial officer.” Rule 5(e), Advisory Committee Notes.
Therefore, Under Federal Rule 5(e), the clerk’s office should have accepted Defendants’ Notice of Removal, despite the technical violation of Local Rule 3.9.4(d). Rule 5(e) “usurped the clerk of court’s ability to choose to reject or accept” the Notice of Removal. McClellon, 66 F.3d at 102. Therefore, under Rule 5(e), Defendants’ Notice of Removal should have been considered filed as of November 24, 1995, “until such time that the court ordered the clerk of court to strike the pleading from the record[J” Id. at 102. Because of the extremely technical nature of Defendants’ violation of Local Rule 3.9.4(d), the Court declines to order the pleading stricken. Accordingly, Defendants’ Notice of Removal shall be deemed filed as of November 24, 1995. Therefore, Defendants’ Notice of Removal is timely under 28 U.S.C. § 1446(b).
B. Copyright Preemption
Plaintiff also asserts that this Court should remand this case for lack of subject matter jurisdiction. On the face of Plaintiffs Complaint, no federal claim is stated. However, Defendants assert that Plaintiffs state law tort claims are completely preempted by federal copyright law, and therefore actually “arise under” federal law. See Franchise Tax Board v. Construction Laborers Vacation Trust, 463 U.S. 1, 24, 103 S.Ct. 2841, 2854, 77 L.Ed.2d 420 (1983) (“If a federal cause of action completely preempts a state cause of action any complaint that comes within the scope of the federal cause of action necessarily ‘arises under’ federal law.”).
Under 17 U.S.C. § 301(a),
... all legal or equitable rights that are equivalent to any of the exclusive rights within the general scope of copyright ... and come within the subject matter of copyright ... whether created before or after that date, and whether unpublished, are governed exclusively by this title.... [N]o person is entitled to any such right or equivalent right in any work under the common law or statutes of any state.
Accordingly, “[cjopyright preemption is both explicit and broad[J” G.S. Rasmussen & Assoc. v. Kalitta Flying Service, 958 F.2d 896, 904 (9th Cir.1992), cert. denied, 508 U.S. *991959, 118 S.Ct. 2927, 124 L.Ed.2d 678 (1993). A state law is preempted by federal copyright law if (1) the work at issue comes within the subject matter of copyright; and (2) the state law rights are “equivalent to rights within the general scope of eopy-right[.]” Del Madera Properties v. Rhodes and Gardner, Inc., 820 F.2d 973, 977 (9th Cir.1987); see also Trenton v. Infinity Broadcasting Corp., 865 F.Supp. 1416, 1427-28 (C.D.Cal.1994) (stating same standard).
Both parties agree that Plaintiffs First and Second Causes of Action for breach of contract and breach of confidence are not preempted by federal copyright law. However, there is an issue as to Plaintiffs Third, Fourth, Fifth, and Sixth Causes of Action for fraud, negligent misrepresentation, conversion, and negligence.
1. Plaintiffs Third and Fourth Causes of Action for Fraud and Negligent Misrepresentation
Plaintiff asserts that because his fraud and negligent misrepresentation causes of action involve the “extra element” of a misrepresentation, they are not “equivalent” to federal copyright claims. In Valente-Kritzer Video v. Pinckney, 881 F.2d 772, 776 (9th Cir.1989), cert. denied, 493 U.S. 1062, 110 S.Ct. 879, 107 L.Ed.2d 962 (1990), the Ninth Circuit stated that a fraud cause of action founded on an allegation that the defendant “misrepresented its intent to perform [a] contract” was “qualitatively different” from a copyright claim because of the additional element of misrepresentation. See also Melville B. Nimmer & David Nimmer, Nimmer on Copyright § 1.01[B](l)(e) (1995) (because of the additional element of misrepresentation, “there is no preemption of the state law of fraud”); Goodman v. Lee, 1994 WL 710738, *4 (E.D.La. Dee. 20, 1994) (“courts have consistently held that fraud claims relating to copyright disputes which require plaintiff to establish the element of misrepresentation are not pre-empted by federal copyright law.”). In their concurrently filed motion to dismiss, Defendants attempt to distinguish Valente-Kritzer. Defendants argue that Plaintiffs fraud claim really is a disguised copyright infringement claim because Plaintiff alleges that Defendants fraudulently promised not to make unauthorized use or copies of Plaintiffs work. And indeed, “[i]n so far as ... state claims are restatements of ... copyright infringement claims, they are preempted by federal copyright law.” Litchfield v. Spielberg, 736 F.2d 1352, 1358 (9th Cir.1984), cert. denied, 470 U.S. 1052, 105 S.Ct. 1753, 84 L.Ed.2d 817 (1985); see also Wharton v. Columbia Pictures Industries, Inc., 907 F.Supp. 144, 145 (D.Md.1995) (fraud and misrepresentation claims preempted; they were “ ‘equivalent’ to the right to prepare derivative works because each concerns the central allegation that Defendants plagiarized [plaintiffs] copyrighted screenplay”).
This is a close case, because Plaintiffs misrepresentation causes of action stray dangerously close to restating copyright claims. Plaintiffs fraud and negligent misrepresentation claims center on three main allegations. First, Plaintiff asserts that Defendants “represented to [him] that they were interested in his submission of a television script and that they would compensate [him] for” his work in developing “Never Trust A Gambler,” “when, in fact, at the time of making such representations, defendants never intended to compensate plaintiff for such a script.” Compl. ¶ 29(a). Second, Plaintiff asserts that Defendants “falsely represented to plaintiff that they would not use plaintiffs script when, in fact, defendants did develop and produce a television show” that was based upon Plaintiffs script. Compl ¶ 29(b). Third, Plaintiff asserts that Defendants “wilfully concealed from plaintiff that they were developing and producing a ‘Columbo’ episode based upon ‘Never Trust A Gambler’ so as to deprive plaintiff of his fees and credits[.]”
The gravamen of these allegations is that Defendants fraudulently promised to honor Plaintiffs rights as an author — his purported copyright rights — and then actually violated those rights. Simply alleging that Defendants violated Plaintiffs rights as an author is “equivalent” to a copyright claim under § 301(a). However, Plaintiff adds an additional element — that Defendants fraudulently promised not to violate his authorship rights. *992As such, the Ninth Circuit’s ruling in Valente-Kritzer governs this case.3 Therefore, Plaintiffs fraud and negligent misrepresentation causes of action are not preempted by federal copyright law.
2. Plaintiff's Fifth Cause of Action for Conversion
Plaintiff asserts that Defendants have “unlawfully and wrongfully converted for their own use the “Never Trust A Gambler” script in producing and distributing the “Columbo” episode “Strange Bedfellows.” Compl. ¶ 37. However, Plaintiff alleges that he gave a copy of his “Never Trust A Gambler” script to Chris Seiter; the tangible manuscript was not taken from Plaintiff. Rather, Plaintiff alleges that Defendants wrongfully copied the ideas expressed in the “Never Trust A Gambler” script and then converted them for their own use.
Generally, the copying and distribution of literary intangible property does not state a claim for conversion. See Witkin, Summary of California Law, Torts, § 613. Rather, “[t]he infringement of property rights in a literary or artistic production is a distinct tort (plagiarism).” Id.; see also Nimmer & Nimmer, Nimmer on Copyright, § 1.01[B](l)(i) (“The torts of conversion and trespass relate to interference with tangible rather than intangible property[.]”). Thus, Plaintiffs conversion claim seems more properly a claim for plagiarism or misappropriation. Regardless of how it is cast, however, Plaintiffs Fifth Cause of Action is clearly preempted by federal copyright law because it makes the crucial allegation that Defendants have wrongfully used and distributed Plaintiffs work of authorship. Under the second prong of the Del Madera test, this allegation is clearly equivalent to a copyright claim. It does not add any additional element to the essential claim that Plaintiffs ideas were misappropriated by Defendants. Such a claim is “part and parcel” of a copyright claim. Del Madera, 820 F.2d at 977; see also Ehat v. Tanner, 780 F.2d 876, 878 (10th Cir.1985), cert. denied, 479 U.S. 820, 107 S.Ct. 86, 93 L.Ed.2d 39 (1986) (Plaintiff “did not allege a state law claim of conversion to recover for the physical deprivation of the notes. Instead he sought to recover for damage flowing from their reproduction and distribution. Such reproduction interferes with an intangible literary or artistic property right equivalent to copyright.”); Nimmer & Nimmer, Nimmer on Copyright, § 1.01[B](l)(f)[iii] (citing Durham Indus., Inc. v. Tomy Corp., 630 F.2d 905 (2d Cir.1980)) (if a claim is “but another label for reproduction,” it is “a preempted right “within the general scope of copyright’ ”). Therefore, Plaintiffs conversion claim is preempted by federal copyright law.
3. Plaintiffs Sixth Cause of Action for Negligence
Plaintiff also alleges that Defendants negligently failed to acknowledge that “Strange Bedfellows” is based upon “Never Trust A Gambler,” and negligently failed to compensate Plaintiff for his script. But this claim merely recharacterizes a copyright infringement claim as one for negligence. Because the essential allegation is still that Defendants unlawfully copied Plaintiffs ideas, it is still a copyright infringement claim. Moreover, recharacterization of the claim as one of “negligence” does not add a legally cognizable additional element because a general claim for copyright infringement is fundamentally one founded on strict liability. See Religious Technology Center v. Netcom *993On-Line, Communication Services, Inc., 907 F.Supp. 1361, 1870 (N.D.Cal.1995) (“copyright is a strict liability statute”); Singer v. Citibank N.A., 1993 WL 177801, *5 (S.D.N.Y. May 21, 1993) (copyright infringement is a tort that generally does not require scienter). The alteration of the required mental state does not add an “additional element” under Valente-Kritzer. Therefore, Plaintiffs negligence claim is preempted by federal copyright law.
C. Propriety of Removal
The Court rules above that federal copyright law preempts Plaintiffs Fifth And Sixth Causes of Action for conversion and negligence. Furthermore, under governing principles, copyright law “completely” preempts equivalent state claims. See Rosciszewski v. Arete Associates, Inc., 1 F.3d 225, 232-33 (4th Cir.1993). Generally, federal preemption acts as a defense to a plaintiffs action, so therefore it “does not appear on the face of a well-pleaded complaint.” Metropolitan Life Ins. Co. v. Taylor, 481 U.S. 58, 63, 107 S.Ct. 1542, 1546, 95 L.Ed.2d 55 (1987). Consequently, the preemption “does not authorize removal to federal court.” Id. However, in certain circumstances, “the preemptive force of [federal law] is so ‘extraordinary’ that it ‘converts an ordinary state common-law complaint into one stating a federal claim for the purposes of the well-pleaded complaint rule.’ ” Caterpillar, Inc. v. Williams, 482 U.S. 386, 392, 107 S.Ct. 2425, 2429, 96 L.Ed.2d 318 (1987) (quoting Metropolitan Life, 481 U.S. at 65, 107 S.Ct. at 1547). Although there is no Ninth Circuit authority on point, a common law claim preempted by federal copyright law is clearly completely preempted under these principles. “Congress has clearly indicated that state-law claims which come within the subject matter of copyright law and which protect rights equivalent to any of the exclusive rights within the scope of federal copyright law ... should be litigated only as federal copyright claims.” Rosciszewski, 1 F.3d at 232; see also 28 U.S.C. § 1338 (federal courts have exclusive jurisdiction over copyright claims). Therefore, preempted copyright claims can be removed to federal court. See also Patrick v. Francis, 887 F.Supp. 481, 484-85 (W.D.N.Y.1995) (Mowing Rosciszewski).4
D. The Effect of 17 U.S.C. § 411(a) on Plaintiffs Preempted Copyright Claim
Under the principles discussed above, this Court does have removal jurisdiction over Plaintiffs copyright claim under 28 U.S.C. § 1441. However, as Defendants point out in their concurrently filed motion to dismiss, Plaintiffs copyright claim is procedurally defective. Under 17 U.S.C. § 102(a), “[e]opyright protection subsists ... in original works of authorship fixed in any tangible medium of expression^]” Thus, even though not federally registered, Plaintiffs script, a work of authorship, is protected by the copyright laws. However, under 17 U.S.C. § 411(a), “no action for infringement of the copyright in any work shall be instituted until registration of the copyright claim has been made in accordance with [the copyright laws].” The only exceptions to this rule are for visual artists (see 17 U.S.C. § 106A(a)) and for foreigners covered by the Berne Convention.5 As an American script writer, Plaintiff fits in neither of these exceptions. Furthermore, Plaintiff has not alleged that he has applied to register his copyright. Indeed, in his brief in opposition to Defendants’ motion to dismiss, Plaintiff fails to address the impact of § 411(a) at all.
*994Plaintiffs failure to plead that he has applied for a copyright registration deprives this court of subject matter jurisdiction over his copyright claim. “Before a court can have jurisdiction to entertain an infringement action, the prior registration requirement of 17 U.S.C. § 411(a) must be met[.]”6 Cable News Network v. Video Monitoring Services, 940 F.2d 1471, 1480 (11th Cir.1991), vacated on other grounds, 949 F.2d 378 (11th Cir. 1991); M.G.B. Homes, Inc. v. Ameron Homes, Inc., 903 F.2d 1486, 1488 (11th Cir. 1990); Jefferson Airplane v. Berkeley Systems, Inc., 886 F.Supp. 713, 716 (N.D.Cal.1994) (“Such registration is a jurisdictional prerequisite to a suit for infringement.”). Therefore, the Court must dismiss Plaintiffs copyright claim (without prejudice) for lack of subject matter jurisdiction.7
This case presents an intriguing jurisdictional puzzle which no reported federal copyright case has squarely addressed.8 Because federal copyright law completely preempts Plaintiffs Fifth and Sixth Causes of Action, this case was properly removed to federal court. However, after exercising its removal jurisdiction, the Court concludes that it must dismiss the claim for lack of subject matter jurisdiction under 17 U.S.C. § 411(a). This appears paradoxical, but it is the only result that makes sense. If the Court simply remanded the copyright claim to state court for lack of subject matter jurisdiction, this order would be meaningless because under 28 U.S.C. § 1338, federal courts have exclusive jurisdiction over copyright claims.9
Furthermore, a defendant “does not waive jurisdictional challenges by removing the case to federal court.” Schwarzer, et al., Federal Civil Procedure § 2:1034 (citing Pennebaker v. Kawasaki Motors Corp., 165 F.R.D. 153, 157 (S.D.Miss.1994)). Thus, in analogous contexts, federal courts have granted removal jurisdiction over completely preempted claims, but then dismissed (not remanded) on the basis of unrelated quasi-jurisdictional deficiencies. For example, federal courts are often presented with removed state claims that are completely preempted by the Employee Retirement Income Security Act (“ERISA”). In such a case, the federal court will exercise removal jurisdiction. Then, the Court is presented with the question of whether the plaintiff has exhausted his or her administrative remedies. If exhaustion is not futile, a federal court will refrain from exercising jurisdiction on ripeness grounds and dismiss the preempted ERISA claim without prejudice.10 See, e.g., Franklin H. Williams Ins. Trust v. Travelers Ins. Co., 847 F.Supp. 23 (S.D.N.Y.1994), rev’d. on other grounds, 50 F.3d 144 (2d Cir.1995) (accepting removal jurisdiction but *995then dismissing for failure to exhaust); Harrison v. California Care, 1994 WL 69469 (N.D.Cal. Feb. 14, 1994) (same result); Diaz v. Texas Health Enterprises, Inc., 822 F.Supp. 1268 (W.D.Tex.1993) (same result); Spicer v. Louisiana Power & Light Co., 1993 WL 133765 (E.D.La. Apr. 21, 1993) (same result).
Thus, while there are no reported cases that address this issue in the precise context of 17 U.S.C. § 411(a), the Court follows the jurisdictional logic expressed by courts confronted by unexhausted ERISA claims. Accordingly, Plaintiffs Fifth and Sixth Causes of Action are completely preempted by federal law, and thus removed to federal court. However, because the preempted copyright claim is jurisdictionally defective under § 411(a), the Court dismisses the copyright claim without prejudice pursuant to Federal Rule 12(b)(1).11
E. Remaining State Law Causes of Action
Because the Court dismisses Plaintiffs federal copyright claim without prejudice, Plaintiffs First, Second, Third, and Fourth Causes of Action for breach of contract, breach of confidence, fraud,12 and negligent misrepresentation13 (all of which are governed by state law) are hereby REMANDED to state court pursuant to 28 U.S.C. § 1367(c)(3) (federal court may decline to exercise supplemental jurisdiction over state claims if original federal claim is dismissed).
III. Conclusion
For the reasons discussed above, the Court ORDERS as follows:
1.) Plaintiffs Motion to Remand is GRANTED in part. Plaintiffs First, Second, Third, and Fourth Causes of Action are hereby REMANDED to state court;
2.) Defendants’ Motion to Dismiss is GRANTED in part. Plaintiffs Fifth and Sixth Causes of Action are hereby DISMISSED without prejudice.
SO ORDERED.